Artist Residency at Kearsney Parks, Dover

Kearsney Parks_first ideas

I’m delighted to take up an artist residency at Kearsney Parks in Dover this summer. The residency is part of Art in the Park: Kearsney interpreted, an Arts Council England funded project in Kearsney Abbey and Russell Gardens. Organised by Dover District Council and DAD Dover Arts Development, the project aims to engage people through arts and culture and to bring new audiences to the parks. It involves a series of artist residencies, public events and a Park Bench poetry, painting and drawing project initiated and curated by Joanna Jones.

Following on from my portable Space Standards, I am planning to continue my investigation into peripatetic axiomatic structures. Above and below a few first collages of meandering white lines meandering through the park.

Kearsney Meanders, Gabor Stark, 2018

Art in the Park: Kearsney interpreted

Project Partners: Kearsney Parks // Dover District Council // DAD Dover Arts Development

Residency artists: Kate Beaugie // Joseph Black // Drew Burrett // Alma Tischler Wood // Jamie Jenkinson // Phil Saunders // Clare Smith // Gabor Stark // Louise Webb

Funded by: Arts Council England & Heritage Lottery Fund

 

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SPACE STANDARDS // CHALKUP21 Art & Architecture Walk

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“A drawing is simply a line going for a walk”

Paul Klee

 

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CHALKUP21 Art & Architecture Walk // Saturday 09 June 2018 // led by Gabor Stark

 

Here a few impressions of the spatial practice walk I led from Dover to St. Margaret’s Bay last week. I was invited by Dover Arts Development to orchestrate the event as part of the CHALKUP21 project, a new 21st-century architectural coastal trail that aspires to raise awareness and appreciation of contemporary art and architecture along the Strait of Dover. Linking together nine selected buildings and public artworks into a 17-mile coastal trail, the project focuses on contemporary art and architecture and aims to inspire a range of creative responses through video, photography, drawing and poetry.

On Saturday 9th June 2018 a group of 16 wayfarers joined me for a spatial practice promenade from Dover to St. Margaret’s Bay. Additional to visiting selected buildings and public artworks along the CHALKUP21 trail, participants were invited to actively engage with Dover’s built environment: to ‘do’ art and architecture, and to ‘perform’ and to intervene in space, albeit only fleetingly.

Inspired by Paul Klee’s aphorism that ‘a drawing is simply a line going for a walk’, I devised a family of seven portable linear constructions to accompany the walk. The eponymous Space Standards are designed as ‘axiomatic structures’ (Rosalind Krauss: Sculpture in the Expanded Field, 1979). Of identical line weight, the seven objects present all possible permutations of how to configure two timber sections perpendicularly on the top of a T-shaped pole. Self-evident and referring to nothing else than their intrinsic geometric and material properties, the seven artefacts are designed as abstract (en)signs that can be interpreted and used in multiple ways: as viewing frames, sculptural yardsticks, portable semaphores and three-dimensional drawing tools.

The international group of standard bearers hailed from England, Germany, Jordan, Taiwan and the United States. Together we took measures across Dover’s urban, infrastructural and coastal landscape and produced transitory spatial drawings of potential architectures along the way.

 

 

Standard bearers, co-walkers & fellow photographers

Alanoud Al-Radaideh // Alice Bryant // Danny Budzak // Yi-Peng Peppy Cheng // Philip Hutton // Joanna Jones // Kristina Kotov // Emilio Koutsoftides // Alf Löhr // Peter Morton // Declan Ralph // Petra Riemenschneider // Ines-Ulrike Rudolph // Daniel Stilwell // Ozan Topsogut // Nicola von Skepsgardh-Löhr

Itinerary

  • Start: Dover Priory Station
  • Site of the former Burlington House (1972 / demolished 2015)
  • Start/Finish Line (2011), designed by Alma Tischler Wood
  • Three Waves (2009), designed by Tonkin Liu Architects
  • Dover Sea Sports Centre (2010), designed by John Haynes & Simons Design Ltd
  • East Cliff / Port Of Dover Eastern Docks
  • Dover Totems (2017), designed by Elaine Tribley
  • White Cliffs Visitor Centre (1999), designed by Van Heyningen and Haward Architects
  • South Foreland Lighthouse (1793)
  • The Pines Calyx (2006), designed by Helionix Designs
  • Finish: The Coastguard seafront pub, St. Margaret’s Bay

 

CHALKUP21 // Another DAD project

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SPACE STANDARDS // Art & Architecture Walk in Kent, UK

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SPACE STANDARDS

Art & Architecture Walk from Dover to Deal // Saturday 9th of June 2018

Start: 10.30 Dover Priory Railway Station

Finish: 17.00 Deal Pier Café

RSVP: gstark@uca.ac.uk

 

Links

https://chalkup21.com

http://www.dadonline.eu/projects/chalkup21/

https://www.facebook.com/CHALKUP21/

https://twitter.com/CHALKUP21

https://www.instagram.com/chalkup21/

Museums in Context and Partnership

EKR goes York_Poster

I’m invited to talk about ‘The Friendly Army’ at the ‘Museums in Context and Partnership’ conference at the National Railway Museum in York. The conference aims to examine the role of heritage institutions in urban regeneration, and how museums, galleries and higher education might work together for teaching and research purposes, and to develop displays, exhibitions and programmes. Bringing together experts from the heritage industry, from government and business partners, and academic practitioners, the conference will serve as a space for discussion of both the benefits and challenges of such initiatives, as well as an ideas exchange on best practice. The conference is part of the ‘Railway Cultures’ project, a collaboration between the University of Sheffield’s Faculty of Arts and Humanities and the National Railway Museum.

Museums in Context and Partnership Conference

National Railway Museum, Leeman Road, York, YO26 4XJ

19 – 20 April 2018

Links

Conference

Railway Cultures

EKR – The Friendly Army

 

RED RANT

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A project by Gabor Stark & Emilio Koutsoftides, 2017

The performative sculpture presents an open platform for free speech. Members of the public are invited to climb onto the augmented lifeguard station and to have their say: to shout at the waves, or to preach at the beach, to declare their position, or to rail and rant at Toronto. With its megaphone and perforated metal skin, the anthropomorphic tribune amplifies the visual and acoustic presence of the speakers. A punching bag, imprinted with the world’s first punch bag poem*, provides an additional opportunity for physical stress relief. The folded metal ribbons clatter against each other in the wind and even when not occupied the structure doesn’t stop to make noise. The accumulated sound of aeolian and human voices spreads out across the winter beach: a gift by and to the community.

Competition entry: WinterStations 2018, Toronto, Canada

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Red Rant_02_A

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RIOT IN TORONTO

 

I RAN TO TORONTO

TO RANT IN TORONTO

 

TO TORONTO

TO RANT O

RANT

 

TO TORONTO TO RANT

TO RANT AT TORONTO

 

TO RANT O

TORONTO

RANT

 

TO TORONTO I RAN TO

RAN RED IN TORONTO

I RAN TO TORONTO

TO RANT

 

TO

TORONTO

TO RANT O

TO RANT AT

TORONTO

 

TO TORONTO

TO RANT O

RED RANT